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This is a solid addition to both artists' discographies. While most of these songs are ballads, Babyface rarely pulls out his acoustic guitar - a saving grace for those who tired of hearing it throughout the '90s. Released just this week, the duo have been seen all over these media streets and finally they’ve addressed a rumors that’s been swirling since last year, whether or not they’re actually an item.
#WHERE DID WE GO WRONG TONI BRAXTON AND BABYFACE FULL#
"Reunited" is a blissful ballad, but it's followed by the embittered "I'd Rather Be Broke," where Braxton asserts, "Just because your money's strong don't mean you can do the things that you do." Babyface is civil and clear-headed on "I Hope That You're Okay," claiming he "can't go through the motions anymore," but Braxton follows with a solo spotlight, "I Wish," that seems drawn from a different situation: "I hope she creeps on you with somebody who is 22/I swear to God, I'm gonna be laughing at you every day." As a narrative, the album can be hard to follow, but it's not as if breakups have a simple arc with a steady, unwavering decline. Toni Braxton and Babyface (real name Kenny Edmonds) are in full promo mode, pushing their new collaborative album ‘Love, Marriage & Divorce’. Either that, or the relationship is extremely up and down the singers sometimes sound as if they are addressing ex-lovers from other relationships. The sequence of songs plays out like scenes on shuffle.
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"Sweat," a slinking groove, is like the "Love During War" to Robin Thicke's "Love After War," while "Heart Attack," near the album's end, is a retro-disco move that seems more like a throw-in than a crucial part of the album. The duo don't seem nearly as connected to them. The emphasis is on divorce, indicated from the very beginning on "Roller Coaster," where Babyface enters with "Today I got so mad at you, it's like I couldn't control myself." The set finishes with the bittersweet "The D Word," seemingly a Sade homage, in which Babyface confesses "You still own my heart, forever and ever and ever." Moments that deviate from issues of romantic strife are few. Both endured broken marriages, and presumably it's those experiences that inform the material here - a succinct collection of 11 songs, eight of which are duets. ❽ónde nos equivocamos? (hazaña.On Love, Marriage & Divorce, Toni Braxton and Babyface, creative partners going back to the early '90s, rekindle their musical relationship. So where did we go wrong? Is it all my fault? Where did we go wrong? Is it all my fault? Ooh, I wish I would’ve touched you, baby I wish I would’ve said the words That I love you, I love you I love you I love you, I love you I wish I would’ve listened I wish I would’ve heard Ooh, gotta tell you, baby I gotta let you know the deal Ooh, you drove first place, baby If we’re gonna keep it real When you cheated, how you hurt my soul Ooh, you broke my heart, didn’t you? Where did we go wrong? Is it all my fault? Where did we go wrong? Is it all my fault?įrom the very start I was so into you Ooh from the beginning I was so so feeling you But you thought I cheated, that I played around on you But didn’t you do the same, didn’t you, didn’t you?
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I tried to tell you, baby Tried to tell you a thousand times Ooh, you wouldn’t listen, baby No matter how hard I tried But you didn’t see the love Was so in love with you Then you went to break my heart Didn’t you?
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For as long as I loved you, girl That I gave you all my love With all my heart and soul I thought that I was be the one But you didn’t appreciate a single I do You just left me with a broken heart Didn’t you, didn’t you?